Sometimes awful things have their own kind of beauty....

About a week ago I was having a conversation with one of my best friends (waddup Collin) about my love for The Departed and the Casino Royale. I explained to him that not only are the storylines great in these two movies but they are also visually stunning. His reply " Oh you like highly-stylized movies, huh?". Um Yes. That is what stylized means. Raw and gritty with a shaky camera are not usually choices filmmakers make for aesthetics but rather because of their lack of resources (there are of course exceptions like Rachel Getting Married, which had an invasive documentary type feel that I loved). Both Casino Royale and The Departed are action movies. However there is dramatic cinematic feast for the eyes, that comes from the fashion designer and first time director Tom Ford, called A Single Man. Though I wanted to see this film for months, it took the encouragement of a friend (Thanks Matt!) via his facebook to make me rent this movie. Let's just say I'm glad he did. It's one of those films that uses every possible metaphorical device to complete its arsenal of aesthetics. The story of a college professor in the 1960s, who, after the sudden death of his partner of sixteen years, has given up hope. The narrative is punctuated through the poignant use of music and color. The film is shot with gray,dull undertones but whenever happiness is on the horizon, the color shifts as if someone switched on the brightness dial on your television. It's as if when our protagonist George receives a breath of new life, we, the audience, do as well. Colin Firth is simply extraordinary in this role (which won him a BAFTA award and an Oscar nomination)  and has such subtlety in his grieving that it transcends both beautiful and grotesque and reaches the sublime. Julianne Moore plays George's best friend who has never fully accepted the fact that he's gay because she's still desperately in love with him and clinging to the life they could have had. Newcomer Nicholas Hoult does a wonderful job as one of George's students who believes that he has all the answers in life with none of the experience. He has the resilience of youth which I, and many of my peers, can identify with. The film left me with a rediscovered appreciation of art and what it means to take a story and bring it to life. I applaud Tom Ford and the cast and I think you will too.